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The Magician's Nephew

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The Magician's Nephew

The Chronicles of Narnia, Book 1
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Illustrations in this ebook appear in vibrant full color on a full color ebook device, and in rich black and white on all other devices.Narnia . . . where Talking Beasts walk . . . where a witch waits...
Illustrations in this ebook appear in vibrant full color on a full color ebook device, and in rich black and white on all other devices.Narnia . . . where Talking Beasts walk . . . where a witch waits...
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  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
    5.4
  • Lexile:
  • Interest Level:
    MG
  • Reading Level:
    7 - 12


 
Description-
  • Illustrations in this ebook appear in vibrant full color on a full color ebook device, and in rich black and white on all other devices.

    Narnia . . . where Talking Beasts walk . . . where a witch waits . . . where a new world is about to be born.

    On a daring quest to save a life, two friends are hurled into another world, where an evil sorceress seeks to enslave them. But then the lion Aslan's song weaves itself into the fabric of a new land, a land that will be known as Narnia. And in Narnia, all things are possible.

    The Magician's Nephew is the first book in C.S. Lewis's The Chronicles of Narnia, a series that has become part of the canon of classic literature, drawing readers of all ages into a magical land with unforgettable characters for over fifty years. This is a stand-alone novel, but if you would like to journey back to Narnia, read The Lion, the Witch and the Wardrobe, the second book in The Chronicles of Narnia.

Excerpts-
  • Chapter One

    The Wrong Door

    Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers' cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of ginger-beer in there: the old bottles made it look more like a smugglers' cave.

    Digory quite liked the cave (she wouldn't let him see the story) but he was more interested in exploring.

    "Look here," he said. "How long does this tunnel go on for? I mean, does it stop where your house ends?"

    "No," said Polly. "The walls don't go out to the roof. It goes on. I don't know how far."

    "Then we could get the length of the whole row of houses."

    "So we could," said Polly. "And oh, I say!"

    "What?"

    "We could get into the other houses."

    "Yes, and get taken up for burglars! No thanks."

    "Don't be so jolly clever. I was thinking of the house beyond yours."

    "What about it?"

    "Why, it's the empty one. Daddy says it's always been empty since we came here."

    "I suppose we ought to have a look at it then," said Digory. He was a good deal more excited than you'd have thought from the way he spoke. For of course he was thinking, just as you would have been, of all the reasons why the house might have been empty so long. So was Polly. Neither of them said the word "haunted". And both felt that once the thing had been suggested, it would be feeble not to do it.

    "Shall we go and try it now?" said Digory.

    "All right," said Polly.

    "Don't if you'd rather not," said Digory.

    "I'm game if you are," said she.

    "How are we to know we're in the next house but one?"

    They decided they would have to go out into the box-room and walk across it taking steps as long as the steps from one rafter to the next. That would give them an idea of how many rafters went to a room. Then they would allow about four more for the passage between the two attics in Polly's house, and then the same number for the maid's bedroom as for the box-room. That would give them the length of the house. When they had done that distance twice they would be at the end of Digory's house; any door they came to after that would let them into an attic of the empty house.

    "But I don't expect it's really empty at all," said Digory.

    "What do you expect?"

    "I expect someone lives there in secret, only coming in and out at night, with a dark lantern. We shall probably discover a gang of desperate criminals and get a reward. It's all rot to say a house would be empty all those years unless there was some mystery."

    "Daddy thought it must be the drains," said Polly.

    "Pooh! Grown-ups are always thinking of uninteresting explanations," said Digory. Now that they were talking by daylight in the attic instead of by candlelight in the Smugglers' Cave it seemed much less likely that the empty house would be haunted.

    When they had measured the attic they had to get a pencil and do a sum. They both got different answers to it at first...

About the Author-
  • Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over one hundred million copies and have been transformed into three major motion pictures.

    Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

Title Information+
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    HarperCollins
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Digital Rights Information+
  • Copyright Protection (DRM) required by the Publisher may be applied to this title to limit or prohibit printing or copying. File sharing or redistribution is prohibited. Your rights to access this material expire at the end of the lending period. Please see Important Notice about Copyrighted Materials for terms applicable to this content.

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